One of my Facebook friends thought I made a typo when I wrote that I was going through a kitchen takeover instead of a kitchen makeover.

I made no typographical error.

If you have ever renovated a kitchen, you know the drill.

TAKEOVER!!!!!

Let’s start from the very beginning.

I have always dreamed of having a white kitchen.

I know what you’re thinking. Get a life. People are starving. In places.

It’s lame. I get it. But that was my if-I-ever-had-the-pleasure-of-renovating-my-kitchen dream, so try not to judge me too harshly.

As it happened, when we were looking for houses in the mid 90’s, the house we now live in had a white kitchen, and I took it as a sign. Sold!

So 22 years ago, my kitchen was my favorite non color but admittedly long in the tooth. It had white Formica cabinets, counters, and back splash.

It was worn out, but it was white, and I was happy. Having spent my earlier years in a Bridgeport Connecticut tenement, I was living the dream.

Fast forward 22 years…

I finally convinced (okay more like coerced) my husband into renovating the original-to-the-house kitchen. And I knew from the get go, that it was going to be white.

My contractor, cabinet guy, plumber and some of my peeps tried to talk me out of it, telling me white was passé.  They all had their opinions about white being cold, hard to keep clean, and sooo past tense.

But for anyone who knows me, I tend to march to the beat of my own drum.

Tell me something is passé, not in, or past tense, I could give a you-know-what.

I have no interest in keeping up with the Joneses—or anybody else for that matter.

Passé? Past tense you say? Don’t care.

I was going for the whole white shebang. Passé shmasse.

White floor, white cabinets, white counter tops, white faucets. That’s what I wanted. And that’s what I was going to get.

Oh and I decided to throw in a white high gloss exterior door and matching white high gloss window trim, and white eggshell walls and ceilings.

Okay, if you’re rolling your eyes over the white on white on white, even I will admit that my obsession with white was a tad too much.

So along the way I made an executive decision to get off the all white kick—change it up.

…and go with a grey wall.

To be precise,  white on white on white with two and a half walls of grey.

The white part was easy peasy.

I ordered white high gloss cabinets, white quartz counter tops and matching back splash, white hardware, and a white porcelain floor.

The grey walls? Not so easy.

Once I decided on grey, I began my usual laser focused OCD-ish quest for the perfect grey.

This was easier said than done.

What I discovered was that the color grey is elusive, schizophrenic, unreliable, misleading, two-faced, three-faced.

Yet warm, inviting, calming and cool.

There are indeed fifty shades of grey. Or is it gray?

Thus began the process of priming and painting, and priming and painting and then priming some more. I could NOT find a grey that I liked.

The first time I walked into my local paint store I told the salesman I was looking for grey paint.

He looked at me in semi disgust. “Which one?” he asked me as he intently picked paint chips off the front counter.

“I don’t know, you tell me. I’m just looking for a regular old grey,” I responded.

“Good luck with that.” He said under his breath as I strained to hear what he was saying.

I had no idea how accurate this salesman’s words would end up being.

I showed him a photo on my phone of a grey kitchen wall I liked.

He squinted at the image and then muttered four words: Barren Plain and Wish.

I asked him if that was one color or two. He answered me so softly that I had to ask him twice.  Even after answering me again, I still couldn’t hear him.

So instead of asking him a third time, I filled up the space with nonsensical talk about my counters and back splash, blabbing about how I was told that quartz is the new granite, droning on about my peninsula, my hardware, blah blah and blah.

By the time I finished my verbal dissertation he was at the other end of the store whipping up my paint.

I took the sample size paints home and had my contractor put them on two pieces of wall board.

I then intensely inspected both of them. Intensely being the operative word.

Barren Plain (2111-60) didn’t look grey at all. At first, I thought it looked beige, but then when I looked at it for like the 30^th time, it didn’t really seem like beige either.

I went online and looked up the color, and one blogger called it greige—a combo of grey and beige.

Get out the primer!

Then I moved on to Wish (AF-680).  I was hopeful about Wish because as a wordsmith, I tend to find signs and meanings behind words.

And for whatever reason, I felt a kinship with the name. Wishful thinking because it did not work out at all. I wish I never tried it. It was a weird taupey color. Something you might find in a diaper. Not what I was going for at all.

More primer!

I then trudged back into my paint store lugging the two pieces of Barren Plain and Wish painted wall boards, and shared my misery with the salesman who recommended the two shades of grey in the first place.

“Why do the colors look one way on the swatch and another way on the wall? Why does the paint stick not match the paint on the wall? And why do the greys look one color on one wall and another color on the other wall?”

The salesman shrugged and said, “That’s grey for you.”

I found his answer to be wholly unhelpful.

My response? “Anastasia of Fifty Shades, the novel, said it best. Oh, my.”

He looked at me blankly. He apparently had never read Fifty. And he was also apparently not feeling my paint pain.

We stared at each other awkwardly.

“I mean,” I finally said, breaking the silence. “Why is grey such a problem?”

He looked at me like “duh.”

“It’s all about the LRV,” Mr. non personality blurted out, rolling his eyes before he turned his back on me to help another customer.

“The wha?”

He was preoccupied ringing up customer B, so he didn’t respond.

So I asked again.

“The SUV?”

“The LRV. The light reflectance value,” he said with some annoyance as he rang up customer C.

“Can you write that down for me?” I asked him.

“Are you serious?” he asked me.

“Well yeah, I need to look up that thing you said.”

“LRV,” he repeated as he wrote it down.

“No, not the letters, the words of it,” I said leaning in to see what he was scribbling.

He looked up and gave me an awful look.

“Would this be a bad time to ask for a couple more grey suggestions?” I asked him tentatively.

He walked into an office behind the counter.

I wasn’t sure if I should take that as a yes or a no.

He came back with a piece of paper with two lines of words on it.

I read the words out loud to no one in particular: “Stonington Gray and Gray Owl?”

“And is it G-R-E-Y  or G-R-A-Y?”

When I looked up, he was gone.

“HELLO? HELLOOOO?”

The salesman popped his head out from a back room. He was visibly aggravated. “I’m on lunch.”

“Okay, could you just whip me up these gray-with-an-A paints real quick?”

He zhoozhed up two pint size cans of paint. As he took my twenty dollar bill, I asked him what his name was. He said it softly, and as I strained to hear, I had to ask him a second time.

“Okay thanks for your help Robert,” I chirped as I walked out with my “grays.”

I ran home and tried both paints on some wall scraps I found in my garage.

Then I googled “light reflectance value.”  The first article I found was titled: “LRV and why you should NEVER choose a paint color without it.”

NEVER?

The article read more like a science experiment, full of incomprehensible information like: A color’s Light Reflectance Value (LRV) measures the amount of visible and usable light that reflects from or absorbs into a painted surface.  LRV is measured on a scale that ranges from zero (absolute black, absorbing all light and heat) to 100 percent (pure white, reflecting all light).

What?

Oh, and there was an app I could buy called LRV Guru which assists with calculating color contrast ratios and would do the math for me.

Wait. Now there’s math involved?

This LRV thing was getting way too complicated, so I went back to painting wall scraps.

Stonington Gray (HC 170) was too blue. Urgh.

Gray Owl (2137-60) was a nice gray but slightly darker than I wanted. I moved around the sample scraps from wall to wall. Gray Owl on the wall with the three windows looked great, but on the wall with no light, it looked dullish. “That damn LRV,” I mumbled under my breath.

I was all but giving up, thinking maybe I should just go with Gray Owl and be done with it. I was running out of time. Plus I was running out of wall boards.

My husband nixed the Gray Owl, so I was back to the drawing board or should I say painting board.

I drove over to Home Depot and found a paint swatch there that I liked. I then headed directly over to my not-so-trusty paint store.

My not-so-favorite salesman was having lunch. Again.

“Hi, Robert!” I said overly loudly, feigning enthusiasm. “I’m baaaack!”

He looked up from his sandwich and said: “It’s Richard.”

“Oh okay, Richard. So when you’re done eating can I show you a swatch I found at Home Depot?”

“Home Depot don’t carry Benjamin Moore,” he said in between munches.

“Yes, I know, but can you try to match the swatch up with something nice for me?” I asked him gingerly.

I think I was getting on Robert’s nerves. I mean Richard.

“Pleeeeease?”

He put down his sandwich and concocted something called Graceful Gray (PPV18-12).

I thanked him profusely and ran home to paint it out. But Graceful Gray was a very dark taupey greigy color. I was all but losing hope.

On the way back to the paint store I picked up a Caramel Brulée Latte at Starbucks for Richard. I was hoping that maybe a bribe in the form of a coffee would help me to get the grey/gray I so desired.

I ran into the paint store, Starbucks gift in hand.

Richard was very excited about the coffee concoction, and in between sips he gave me the inside scoop about lightening or darkening gray with percentages of other colors.  Then he confided in me that most people call him Dick.

Did that mean I had to call him Dick? I so preferred Richard.

And the Latte was a huge success because Dick was impressively accommodating and very full of a lot of words. He also happened to have a beautiful smile.

He worked up two versions of the same color: Classic Gray and Classic Gray darkened by 25%. Maybe it was the caffeine, but Dick was a new sales man.

I quickly paid him and drove off to do my painting thing.

The Classic Gray (OC 23) was a warm gray but had a purple undertone. I really wanted this color to work. But the purple was literally bouncing off the walls.

The LRV was B-A-D.

I was hopeful that the Classic Gray darkened by 25% would result in a bit more contrast with a little less purple. Nope. Didn’t work.

The following morning I dejectedly drove back to see Dick. This time armed with a Starbuck’s Caramel Macchiato and a blueberry muffin with yogurt and honey.

When he saw me walk in his face lit up. “I knew you’d be back. And I think I found the grey for you. 1611. Gray Tint.”

As the machine shook up 1611, Dick sipped on his Macch and chattered away, telling me among other things that his mother calls him Dicky. Or is it Dickie?

As I paid for the paint pint I was thinking to myself. Really? Gray Tint?

Why didn’t Dick think of this in the first place?

Gray. Tint.

A tint of Gray.

Come on Dicky. You should have thought of this one right out of the grey gate.

I was hopeful as I watched my contractor paint the wall next to the window.  The gray lived up to its name and indeed had a tint—of lavender, which happens to be my favorite color, so I took it as a sign.

Each wall looked slightly different, but the hues were all warm and a lovely contrast to the white window trim and ceiling.

LRV and all, it was perfect!

(There is a part two to this story, which is that after the painting was completed, I discovered that the white porcelain floor was laid down incorrectly and had to be ripped up. As flooring experts marched in and out of my house, they all agreed on the same two things: My beautiful and expensive white floor had to be trashed, and the color should be changed up. To what else? Grey! I mean Gray!)

I recently spent a euphoric family sleepover weekend at home with my loved ones.

In the middle of a sleepless night, as my loved ones slept, I passed the pile of shoes near the front door and was compelled to photograph them.

Proof that although I was stressed and sleepless, love was all around me.

The image of my families’ footwear told the story, without my having to say one word.

The adult female and male shoes, baby girl shoes, and little boy shoes, helter-skelter in the entranceway was the dead giveaway that a lot of my favorite people were “in the house.”

As I recently combed through my phone photos, the family shoe image jumped out causing me to pause and reflect on the whole shoe thing.

Shoes can speak volumes about a person and their personality. And shoes can oftentimes speak for themselves.

They can also serve as a symbol for family gatherings, historical events, and more.

No matter what the situation, shoes will most likely tell a story.

Where have your shoes taken you? What do your shoes say about you? If someone were to spend a day in your shoes, what would they experience?

Early in my life, I recall feeling horribly embarrassed by my shoes. Many of them had been purchased at the Salvation Army, and because my feet were so big (I still wear close to a size 9), I often wore boys’ shoes.

And everyone has heard the old adage: You can tell a man by his shoes. Or a woman.

Two starkly different perceptions are conjured up in my head when thinking about shoes: The dark vs. the light visual.

The light side first:

My baby’s first pair of shoes. (How I wish I would have bronzed them). My daughter’s orthopedic ankle-high boots attached to a bar brace at night, ballet slippers, tap shoes, and her first pair of heels. My son’s first pair of soccer cleats, ice skates, and wingtips. And all those uber-expensive sneakers the kids insisted they had to have because everyone else was wearing them.

My despised but admittedly comfortable saddle shoes I was forced to wear at Saint Ambrose Catholic School for eight long years, my white go-go boots, penny loafers, and Mary Jane’s.

My first pair of designer shoes; Manolo Blahnik’s bought in error. After an afternoon of champagne celebrating at the Four Seasons, I saw a gorgeous pair of black bowed heels in a store window. When I tried them on they fit like a glove. I thought the price on the box said $77.00. I charged them in my champagne stupor, and only realized on the train ride home that my receipt said $770.00. Non-refundable.  What a difference a 0 can make.

If you are a regular reader of my blog posts, you know there will always be the darker, more sinister side of things.

The dark side now:

I insisted on burying my grandmother in her slippers because she always complained that her bunions were killing her. Except lung cancer killed her in the end.

On 9/11, as the towers burned and then crumbled, women yanked off their high-heels so they could flee the cataclysm as quickly as possible. Heels don’t make for fast running. A pink spike here, a black slingback there.

Blood-stained, dusty, almost-unrecognizable shoes from that unfathomable Tuesday. One woman got her shoe and foot caught in a piece of twisted steel and thought she would die there. Someone helped to free her foot, and she recovered her shoe. He saved her life but she never found him to offer her thanks. Maybe he died.

Others discarded their shoes as they trudged through stairwells flooded with water from fire sprinklers. And the entire floor of the Battery Park tunnel was strewn with shoes from people taking them off to run as fast as fast could run.

A grisly photograph sent to me by a colleague of a pile of bloody shoes belonged to victims from a site of a terrorist blast in Kabul, Afghanistan on July 23, 2016.  Some still had bodiless feet and legs attached to them.

On a visit to D.C., a lone pair of dirty old boots left at the Vietnam Memorial Wall.

And the hundreds of shoes piled high at the Washington, D.C. Holocaust Museum. In a room full of smelly, nauseatingly musty shoes. Heels, flats, sandals, loafers, wide, narrow, old, new, worn, withered, scuffed, colorful, dark, white, leather, cloth. Men’s and women’s shoes.

And baby shoes. Lots and lots of baby shoes. A mountain of baby shoes. No missed bronzing opportunities for them.

On the wall of the shoe room was the following poem by Moses Schulstein:

We are the shoes. We are the last witnesses.
We are shoes from grandchildren and grandfathers
From Prague, Paris, and Amsterdam.
And because we are only made of fabric and leather
And not of blood and flesh,
Each one of us avoided the Hellfire.

 

Before the Arline Deregulation Act of 1978, the government was in full control of what the airline industry charged for seats and which routes they received.

The only way for airline companies to compete against each other was to offer the best customer service and flying experience they could.

As a Delta Airlines flight attendant in the early 70s, I worked hard for the money.

Back in 1972, Delta offered a complimentary filet mignon steak dinner and all-you-can-drink champagne in coach.  Business boomed as flyers flocked to Delta for patience, empathy, a man-size slab of beef, and bottomless glasses of bubbly.

(I’ll share the good, the bad, and the ugly specifics of my years as a Delta Flight attendant in some other blog post.)

Delta’s advertising back then boasted that their flight attendants “walk over five miles on a typical flight.”

And trust me, I’m sure I did.

“She hangs your coat, offers you a pillow, comes around with magazines, briefs you on safety procedures, brings you your choice of drinks, serves your meal, pours your wine, answers your questions, helps your children, refills your coffee cup, points out landmarks, takes your tray and brings you your coat. And she takes it all in stride.”

(Not to mention, service with a smile, even when the men would pinch or grab my butt.)

Delta hyped us as attractive, considerate, courteous, kind, orderly, personable, poised, polite, truly dedicated, and goes far beyond the call of duty.

(I’d certainly call letting passengers pinch and grab my butt going far, far beyond the call of duty.)

And as if their ads weren’t sexist enough, Delta came out with a targeted campaign for U.S. military personnel, offering them a 50% discount for “The guy who’s got a girl in every city.” The ad displayed six bathing suit-clad women with names like “Your Chicago cutie,” “Your San Francisco sweetie,” or “Your New York knockout.”

I kid you not. And so you don’t think I am exaggerating, take a look at the ads for yourself:

But nothing could beat the sexist “Fly Me” advertising campaign that National Airlines rolled out with, just around the same time.

National offered up their modelesque flight attendants as part of the airline travel experience. The company painted their first names on every plane and mandated that the attendants wear “Fly Me” buttons during in-flight service.

And when their revenues increased by 23% as a result of their advertising, National upped the sexual innuendos in their ads by having their flight attendants look seductively into the camera and softly whisper, “I’m going to fly you like you’ve never been flown before.”

We’ve certainly come a long way from the ’70s.

Fast forward to 2017.

Children with peanut allergies and their families were roughly removed from planes, a young mother who was trying to manage twin babies was hit in the head with a stroller, and a 69-year-old man suffered serious injuries after being slammed and dragged off a plane to accommodate an airline employee.

Good ole deregulation.

And if you’re lucky enough to survive an airline personnel bully, you still have to be jammed into a packed plane with no legroom and no food. And how about the dreaded reclining seats?

I wish the airlines would wake up and make the seats immovable. Why they think there is any available space for reclining is beyond me.  It just makes the ride that much more unpleasant.

And I hope that passengers continue to record the antics of airline personnel bullies and stand up and say something if they see something.

I don’t expect to dine on steak and champagne in coach, but I’m tired of being treated like a piece of meat.

Hamlet, in the Shakespearean play of the same name, was despondent and feigning when he declared: “To sleep, perchance to dream–ay, there’s the rub…”

The prince contemplated suicide, although in the end he was poisoned by Laertes, and not by his own hand.

I have always preferred my own interpretation of Hamlet’s words though: That a sleep full of dreams might help to offset troubles and sufferings in life.

A pair of papers was recently published in the journal Science, offering evidence that we sleep to forget some of the things that happen to us each day.

Sleep to forget. Maybe that’s all that the heartbroken Hamlet wanted to do, and then, perchance, to dream.

I am not a good sleeper. I lay awake each and every night with a million thoughts running in and out of my brain.

And when I am lucky enough to catch a break, and fall into a deep sleep, I have some sicko, frightful, extremely detailed dream that never seems to end.

Most times I forget them by morning, although when the dreams wake me up in the middle of the night, with my body drenched in sweat, and my heart pounding out of my chest, I recall them all too vividly. And as I lay there shaking in my bed, I analyze what in my life is causing such terrifying phantasms.

People have been pondering the meaning of dreams for centuries. Sigmund Freud’s theory centered around the idea that dreaming allows for the sorting through of unresolved events, and/or repressed issues.

Sleep to forget. Dream to sort through issues.

I recently purchased a book about interpreting dreams. My interest was less about the interpretation and more about Freud’s take on things: Produce a dream based upon a particular issue or event.

There was a section in the book that provided instruction on how to provoke a dreaming state of mind.

Remarkably, I was successfully able to sleep, and then elicit, not one but five dreams using the techniques from the book.

Here’s how I did it.

The book first emphasized that unemotional focus was key, and that it may take several nights in a row to produce the dreaming state, although it took me only one.

It was also recommended to view any problems or events from a distance.

Additionally, the book suggested that if you didn’t have a specific problem or dilemma, but just wanted to look farther into the future, the same process would apply.

The most important part of the exercise was not to think too hard or worse, overly obsess about the issue at hand, because that would only thwart sleep, and result in wakefulness.

The advice was to analyze the event or problem from an objective point of view and purposefully remove yourself from the issue altogether.

The goal was not to try to solve anything, but instead to focus on the issue itself, in the hopes of working through it in your dream state.

The bottom line was to specifically focus on what it was you wanted to zero in on before you fell asleep.

And most importantly, make sure to keep a pen and paper next to your bed so you can write down all of the elements and particulars about your dream as soon as you awake.

Since dreams are mostly fleeting, they need to be written down in as much detail as possible.

So that first night, prior to falling asleep, I placed a pen and some paper on my nightstand. Then I tried to remove all thoughts from my mind and as the book instructed, forced myself to totally relax.

Next I thought about something that had been bothering me terribly, but I did it without emotion, and didn’t try to solve anything.

And I didn’t place any blame or ask myself why it was happening.

I merely pinpointed the issue, and then began to analyze some of the aspects of the situation.

I first asked myself what the dilemma was about. Then I asked myself how it made me feel, and who was involved.

As I organized my thoughts and feelings, I kept pushing and pressing my psyche to gain clarity through slumber.

And then I must have fallen asleep.

Because I need to protect my situations and events, as well as the people involved, I am going to be somewhat vague about the dreams I had.

But I will tell you that there was nothing remotely vague about my dreams that night. And my five dreams were broken up. I had one, and then wrote that one down. I was awake enough to write, and excited at the eliciting of the dream itself.

And then I had the second and third together. And once I wrote those down, I fell into a deep sleep, and then came the fourth and then the fifth dreams, which I wrote down, quickly falling asleep in between them.

When I awoke the next morning, I was well rested but at first extremely disoriented and groggy.

I had all but forgotten the dreams until I read what I had written down, and was stunned that the entire night of dreams shockingly tied in with many of the situations I so desperately needed to sort through.

Here they are:

Dream One: There were two calendar dates, one was in March, the other in July. In my dream I was very afraid I would forget them both. One seemed more important than the other, and in the dream I actually analyzed whether there was really only one date that I needed to focus on, but just in case, and to cover any possibility, I needed to remember both. I was obsessed with the dates.

[I can only tell you here that I woke up at about 2 a.m. and wrote both dates down. The date in March turned out to be freakily significant. Since the other date doesn’t happen until July, I won’t know if it is significant or not.]

Dream Two: It was a bad storm, and the rain was whipping like this: ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Blinding, crazy rain. I needed to get to the beach, to be with a girl. I didn’t know who the girl was, but she was important to me. I knew I shouldn’t drive in such bad weather, but it was imperative that I be with this girl.  I kept asking myself that once I got to the girl, how would we be able to sit outside in this violent tempest? I kept asking myself that question over and over again. The wind and rain would make it extremely dangerous to travel, but I felt I had to go, that I needed to go, no matter what.

Dream Three: I was standing on a balcony, high up in a building, staring at the churning ocean. There was a path in between the water and the building. A path of sand.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

water

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

l                         l

l                         l

l                         l

l mom/child l

l                         l

l                         l

l                         l

_____________________________________________________________                                                                                                                       me
______________________________________________________________

A mother and her child were walking toward the building. I didn’t know them but I was nervous that they should get away from the water, get closer to the building. The water was rough, and I was afraid for them.

Dream four: I told a loved one (I will call the loved one “X”) that I was going on vacation. X called me on the phone to say that while I was away X was going to have a few friends over. I told X that I didn’t care about the friends coming over but that I needed to trust X and that X needed to be responsible. I told X that X never calls and the last time I saw X was over a year ago. I started to cry and told X I needed to get off the phone.

Dream five: A woman got a disease on a ship and a man was sitting next to her and consoling her. He put a blanket on her and set it up like a tent to keep her warm and then sat under it with her. He kept talking to her and reassuring her. Then some boat staff came by and said they had to remove all of the dead bodies. The woman thought she was alive, but they thought she was dead. They poured gasoline everywhere, on suitcases that were strewn all around, and on the deck, as well, and were getting ready to light everything up. As the woman watched, they pulled the man away.

[Even though my dreams were frightening, I woke up calm, and at peace and I am looking forward to trying it again tonight.]